In the historic library, Leonor Antunes develops a new installation that takes the architecture, the seventeenth-century stucco ceiling and the archives as its starting point.

Brussels-based Hana Miletić delved into historical songbooks of the Norbertine nuns of Gempe preserved at the abbey. Handwritten dedications, melodies and traces of use are translated into new textiles and new vocal compositions, performed by Amina Szecsödy.

High above the library, Laure Prouvost creates In The Cracks We Nest, 2026, a new site-specific landscape among the historic timber roof structure.

In Concerning Unknown Women (2026), Ana María Caballero revisits poems from Park Abbey’s archives that commemorated women entering religious life, flattening individual lives into prescribed ideals of devotion and renunciation.

Felipe Mujica discovered historical compass roses in seventeenth-century surveying manuscripts. For Rosa de los vientos (2026), he translates them into large textile banners.

Irene Kopelman works from the biodiversity of the abbey site. Together with scientists, she studies moths recorded on the grounds during previous surveys.

For a new version of La Pensée Férale, Daniel Steegmann Mangrané takes as his starting point a dead tree on the abbey grounds.

Gabriela Albergaria creates Care as a Fundamental Right (2026), a living installation made from branches, trunks, mosses, leaves, soil and plants gathered on the grounds.

Tarik Kiswanson develops a sculptural constellation of a coffin, a cocoon and a cradle for the historic refectory.